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Heartbreak to Art,
Wounds become the medium; pain recut as art.

Client

CBC Arts

Project

TiKA Simone

Role

Direction, Cinematography, Post Supervision

CBC Arts
Client
Tika Simone
Project

Conceived as a ten‑film anthology, Heartbreak  to  Art set out to prove that creative practice isn’t just catharsis; it’s architecture for survival. Each spot was treated as an impressionistic portrait: floaty handheld, a powerful soundtrack and a restrained voice‑over that lets confession breathe. The brief was simple: show the exact moment pain turns into process, then capture the result of that alchemy.

From pre‑interviews to color grade, the production rhythm mirrored therapy. Shoots were previsualized around the artists’ actual creative rituals, so we could embed ourselves as much as possible into their process.

The series was released in tandem on CBCArts.ca and the network's 200k+ subscriber YouTube channel. Beyond the metrics, the real win is cultural durability: schools and youth‑services organizations requested clips for wellness programming, proving that these short‑form, elevated-documentary-style portraits can be both art and an actionable resource.

Tika Simone,

Multi-hyphenate singer-composer and cultural producer TiKA Simone distills vulnerability into lush, ’80s-washed R&B, left-field pop and cinematic scores.

 

Her 2021 debut LP Anywhere But Here, hailed by critics as an exuberant celebration of Black queer love, arrived after years spent curating the showcase The Known Unknown, an incubator that first spotlighted Daniel Caesar and Jessie Reyez.

TiKA’s pen quickly leapt to the screen: she co-wrote the Canadian Screen Award-winning ballad “And Then We Don’t” for Learn to Swim, co-scored the TV caper Faith Heist and contributed the soaring “Blue Sky” to Warren Miller’s 75th-anniversary ski film Alpine Rhapsody.

 

Off-stage she champions body-positivity—staging unapologetic photo shoots that centre fat Black women—while her latest single “Rescue Me” signals the next chapter of soulful candour.

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Conceived as a ten‑film anthology, Heartbreak  to  Art set out to prove that creative practice isn’t just catharsis; it’s architecture for survival. Each spot was treated as an impressionistic portrait: floaty handheld, a powerful soundtrack and a restrained voice‑over that lets confession breathe. The unified brief was simple: show the exact moment pain turns into process, then capture the result of that alchemy.

From pre‑interviews to color grade, the production rhythm mirrored therapy. Shoots were previsualized around the artists’ actual creative rituals, so we could embed ourselves as much as possible into their process.

The series was released in tandem on CBCArts.ca and the network's 200k+ subscriber YouTube channel. Beyond the metrics, the real win is cultural durability: schools and youth‑services organizations requested clips for wellness programming, proving that these short‑form, elevated-documentary-style portraits can be both art and an actionable resource.

Tika Simone,

Multi-hyphenate singer-composer and cultural producer TiKA Simone distills vulnerability into lush, ’80s-washed R&B, left-field pop and cinematic scores.

 

Her 2021 debut LP Anywhere But Here, hailed by critics as an exuberant celebration of Black queer love, arrived after years spent curating the showcase The Known Unknown, an incubator that first spotlighted Daniel Caesar and Jessie Reyez.

TiKA’s pen quickly leapt to the screen: she co-wrote the Canadian Screen Award-winning ballad “And Then We Don’t” for Learn to Swim, co-scored the TV caper Faith Heist and contributed the soaring “Blue Sky” to Warren Miller’s 75th-anniversary ski film Alpine Rhapsody.

 

Off-stage she champions body-positivity—staging unapologetic photo shoots that centre fat Black women—while her latest single “Rescue Me” signals the next chapter of soulful candour.

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